I tested the white balance correction feature using Kodak Movie Film 5203
（ ! ! ! It's not a MAC but a WIN system. The MAC information box you see in the image is from a simulation software on Steam ! ! ! ）
This photo was intentionally overexposed by +1 EV when captured with the Panasonic S5, but the pixel shift function was not used.
During the color correction process, I only clicked on the neutral gray areas in the image without adjusting any other parameters. As you can see, the color correction works well under normal exposure conditions, and the skin tones appear natural.
我测试了一下白平衡矫正的功能，使用的胶片是Kodak Movie FIilm 5203
（ ! ! ! 不是MAC是WIN，您在画面中看到的MAC信息框是steam上的一款模拟软件 ! ! ! ）
这张照片在使用松下s5翻拍时特意增加1EV，但未使用像素偏移功能。
在校色的过程中，我只点击了画面中性灰的部分，没有改变其他参数，可以看到，在曝光正常的情况下校色没有问题，人物肤色正常。
This is the image without any color correction, directly opened in ColorPerfect.
这个是没有校色，直接打开colorperfect后出现的画面
This image was corrected by clicking on the shadow area of the white iron gate.
这张图片点击了画面白色铁门的阴暗处
However, I noticed that in some incorrectly exposed shots, the white balance tends to shift. When I took this photo, I suspect it was severely overexposed, which caused the film to exhibit color shifts when processed in the software.
But after clicking on a neutral gray area, the color shift in the image was alleviated.
In this photo, I have to admire ColorPerfect's control over highlights. It’s clear that the right side of the image was severely overexposed in the software interface, but after adjusting the Highlight: Stops-Range-Clip setting and further tweaking it in Photoshop’s Camera Raw, the overexposure was resolved.
但是我发现在一些曝光错误的画面里，白平衡会出现偏色的问题，在拍摄这张照片时我怀疑自己严重过曝，所以导致了胶片在进入软件后偏色。
但是点击中性灰后，画面的偏色便会缓解。
在这张照片里我不得不佩服colorperfect对于高光的控制，可以明显看到在软件页面画面的右侧严重过曝，但是将其中highlight:stops-range-clip调整后，再经过PS里的Camera Raw调整后，画面过曝就解决了。
This is the initial image imported into ColorPerfect, where you can see a significant yellow tint.
这张是初次将画面导入colorperfect中，可以看见画面严重偏黄
After clicking on the white wall of the church, the color shift was corrected.
点击教堂白色墙壁后画面偏色正常
The final result after adjustments in Camera Raw.
Finally, these are the originally captured images - the raw files.
通过camera raw调整后的成片
最后这些是最初拍摄的图片-原始文件
Kodak Movie FIilm 5203 - Win11 - LUMIX S5 White Balance 白平衡矫正
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C.Oldendorf
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Since you did include a digitally taken version I played with that first in PerfectRAW. SmartClip as detailed here was used with a selection in PS.
I ended up at this, seeing your posts were mirrored 
The power lines in the overexposed sky would need to be fixed or removed in an editing step. If we take the color negative film version FilmType SubType FilmGamma seem needed, that can be tricky but this state leads to no color balance shift between clicking the gray wall and the white of the sign in the window which is not half bad. Since we have the meta file I don't need to say in what way I played with it...
It includes the selection on the digital image, none on the neagtive (but it bust me cropped, or otherwise selection be made on the actual negative plus holding Shift depressed on plug-in startup)
This is useful, I identified two bugs in the process
What we do see: The shoulder region of the characteristic curve is reached by the densities forming the sky, thus color starts to become unreliable there. To be fixed in a post step. But you did point out that it was overexposed and so that is expected.
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The power lines in the overexposed sky would need to be fixed or removed in an editing step. If we take the color negative film version FilmType SubType FilmGamma seem needed, that can be tricky but this state leads to no color balance shift between clicking the gray wall and the white of the sign in the window which is not half bad. Since we have the meta file I don't need to say in what way I played with it...
It includes the selection on the digital image, none on the neagtive (but it bust me cropped, or otherwise selection be made on the actual negative plus holding Shift depressed on plug-in startup)
This is useful, I identified two bugs in the process
What we do see: The shoulder region of the characteristic curve is reached by the densities forming the sky, thus color starts to become unreliable there. To be fixed in a post step. But you did point out that it was overexposed and so that is expected.
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C.Oldendorf
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Only looking at your post again I saw that you have ColorNeg in SC mode, which is for scanners.
DC for digital cameras can be so much more rewarding. Like here when you shoot in late sunlight we can see some of that. Since we have those sprocket holes let's show them off. This is the difference: Color balance can be chnaged, Saturation can be changed but color fidelity of DC can never be produced in SC for digital camera repros.
DC for digital cameras can be so much more rewarding. Like here when you shoot in late sunlight we can see some of that. Since we have those sprocket holes let's show them off. This is the difference: Color balance can be chnaged, Saturation can be changed but color fidelity of DC can never be produced in SC for digital camera repros.